'His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.' E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky narratives is far broader and more adventurous than those of any other writer of supernatural fiction. Within the covers of this volume you will encounter revengeful spectres, vampires, homicidal spirits, monstrous spectral worms and slugs and other entities of nameless dread. This is a classic collection that cannot fail to charm and chill.

As the smoky dark sweeps across the capital, strange stories emerge from the night. A seance reveals a ghastly secret in the murk of Regent's Canal. From south of the Thames come chilling reports of a spring-heeled spectre, and in Stoke Newington rumours abound of an opening to another world among the quiet alleys. Join Elizabeth Dearnley on this atmospheric tour through a shadowy London, a city which has long inspired writers of the weird and uncanny. Waiting in the hazy streets are eerie tales from Charlotte Riddell, Lettice Galbraith and Violet Hunt, along with haunting pieces by Virginia Woolf, Arthur Machen, Sam Selvon and many more.

Attractively designed and illustrated by well-known cartoonist Seth (creator of several New Yorker covers, graphic novels, etc.) Small trim size and inexpensive price = perfect for register display Attractive Seth-designed display for books ideal for register placement Similar series of Xmas Ghost Stories by Galley Beggar Press have sold 30,000+ in UK Canadian "trial run" of books showed approx. 1,000 copies sold of each book, even as a drop-in title sold into stores in late November w/o register placement VERY STRONG response from media looking for "feel good" holiday news stories. Multiple angles: 1) reviving old tradition, 2) novel and appealingly counter-intuitive take on Christmas as a spooky time of year, 3) Seth well-known and respected, and does great interviews 4) perfect for quirky gift guides = THIS SERIES WILL CONTINUE TO GET HUGE ATTENTION FROM THE MEDIA AS AWARENESS SPREADS!!! Potential marketing to specialty shops, incl. comic book stores, Christmas gift stores Striking design and classic stories make the books appealing as collectibles Last December opened with an endorsement from actor Patton Oswalt on Twitter and closed with a capsule review by John Williams in the New York Times. Great start for a first year, and we expect the second to be even better!

A collection of rare horror stories that will thrill fans of classic writers such as M. R. James, Bram Stoker, Edgar Allan Poe and E. F. Benson. Jerome K. Jerome's reputation as a humorist, renowned for his comic novel Three Men in a Boat, has thrown into undeserved obscurity his fine efforts in the ghost story genre. Three Men in the Dark collects Jerome's major horror stories, together with a selection from two of his friends with whom he founded the magazines The Idler and Today - the journalist Robert Barr and the humorist Barry Pain. Like Jerome, their stories of terror and the supernatural have been overlooked for many years. Edited and introduced by veteran anthologist Hugh Lamb, this new edition includes as an extra bonus the long-lost novelette, 'The Mystery of Black Rock Creek'. Written in five parts by Jerome K. Jerome, Barry Pain, Eden Phillpotts, E. F. Benson and Bram Stoker's brother-in-law Frank Frankfort Moore, it rounds off one of the most unusual and entertaining anthologies of the macabre of recent years.

With an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury. These three wonderful comic novels drolly record the battle between Lucia and Elisabeth Mapp for social and cultural supremacy in the village of Tilling (based on Rye). Their constant skirmishes ensure that every game of bridge, tea or dinner-party, church service, council meeting or art-exhibition are thrilling encounters that ensure Tilling is always on 'a very agreeable rack of suspense'. Both Elisabeth and Lucia are gross hypocrites, snobs and bullies, the huge differences in temperament and style ensure the battle is usually unequal. Elisabeth is incurably mean-spirited and Lucia suffers from splendid delusions of grandeur and personal prestige. Driven by demons of revenge, Elisabeth always acts impulsively, and therefore every revelation of her meanness allows Lucia, the consummate actress, to kill her ally with a sickening kindness. In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded chronic anger and jaundiced suspicions of Elisabeth and through the self-deluded fabrications and day-dreams of Lucia. Carabine also concentrates on the novels' disturbing, bitchy, 'camp' humour whenever 'that horrid thing which Freud calls sex is raised'

With an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury. Lucia is one of the great comic characters in English literature. Outrageously pretentious, hypocritical and snobbish, Queen Lucia, 'as by right divine' rules over the toy kingdom of 'Riseholme' based on the Cotswold village of Broadway. Her long-suffering husband Pepino is 'her prince-consort', the outrageously camp Georgie is her 'gentleman-in-waiting', the village green is her 'parliament', and her subjects, such as Daisy Quantock, are hapless would-be 'Bolsheviks'. In Lucia in London, the prudish, manically ambitious Lucia launches herself into the louche world of London society. Her earnest determination to learn all about 'modern movements' makes her the perfect comic vehicle for Benson's free-wheeling satire of salon society, and of the dominant fads and movements of the 1920s, including vegetarianism, yoga, palmistry, Freudianism, seances, Post-Impressionist art and Christian Science. Meanwhile in Tilling, clearly modelled on Benson's home town of Rye, Miss Mapp consumed by 'chronic rage and curiosity' sits at her window, armed with her light-opera glasses keeping baleful watch on her neighbours. 'Anger and the gravest suspicions about everybody had kept her young and on the boil': and Benson transmutes her boiling into a series of small humiliations in his witty, malicious comedy. In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded fabrications and day-dreams of Lucia and the self-deluded chronic anger and jaundiced suspicions of Elisabeth. Carabine also concentrates on the novels' disturbing, bitchy, 'camp' humour whenever 'that horrid thing which Freud calls sex' is raised.